| Well, to answer that question let's first ask another | | | | cameraman, it's about choosing an editor. A great |
| question - | | | | wedding video is one with great editing, simple as that. |
| What is a typical wedding video? | | | | If the editing isn't there, the video is a non starter. A |
| When asked this question, most people have the | | | | good editor builds a scene that flows using pace and |
| same stereotypical images flying through their heads - | | | | rhythm, punchy cuts, upbeat music, sound bites, and |
| a dull Sunday afternoon, all the family crammed into | | | | scene dynamics. An editor who knows his craft is |
| the lounge watching a 6 hour long shaky video shot by | | | | worth his weight in gold. |
| Uncle Bob on his handy-cam; long boring shots and no | | | | And then there's colour grading... |
| editing. | | | | What is Colour Grading? |
| Or maybe you get lucky and you've had your wedding | | | | Colour grading is the final phase of the editing process |
| done by a professional wedding videographer - Yay! | | | | and a dedicated editor will not skimp on this process. In |
| Not so fast - 9 times out of 10 even the videos you | | | | fact, colour grading is so important in movies that the |
| pay for are equally dull; full of tedious panning shots, | | | | editor of the movie doesn't do it; a dedicated "Colour |
| cheesy video transitions straight out of the 80's, and | | | | Grader" is given the task. It could be argued that |
| set to the corniest love music known to man. The end | | | | grading is the most important part of the movie |
| result is the same - half your family fall asleep while | | | | because it's all about the aesthetic finish; it's about |
| watching it and the other half wish they were asleep; | | | | giving the movie its "look". A colour grader is the |
| anything to save them from the cringe-worthiness of | | | | person responsible for giving films like "The Matrix" and |
| your amazing wedding video. | | | | "Minority Report" that dark look, a style called "Bleach |
| The above scenario is of course an exaggerated | | | | Bypass", and while that look isn't really appropriate for |
| nightmare; that's what we don't want in a video, but | | | | a wedding, it's absolutely imperative that your wedding |
| what do we want? What makes a great wedding | | | | videographer takes time to find a look that is. Grading |
| video? Well, in short, a great wedding video is one that | | | | those high definition shots of your wedding day, making |
| entertains everyone who watches it and is never out | | | | them ooze with colour and detail, will literally make your |
| of the DVD player. And that's all down to one vital | | | | video jump off the screen! |
| ingredient... | | | | What about equipment? |
| A great wedding video is all about fun! | | | | To put it bluntly, your videographer MUST have the |
| When you hire a wedding videographer to film your | | | | right equipment; He'll have at least one professional HD |
| special day he needs to have the eye to pick up on | | | | camcorder to do the job, but by using two he can |
| those great little moments, all the things you want to | | | | capture a selection of wide, mid, and close up shots at |
| remember 10 years down the line; the smiles, the | | | | the ceremony and speeches - variety is everything. At |
| laughs, the tears, the bridesmaids strutting their stuff on | | | | the time of this article any of these cameras are well |
| the dance floor, and the hi-jinks of the best man | | | | respected and are used in TV, corporate videos, |
| whose had one too many beers. | | | | music videos, and weddings - |
| Your videographer needs to be able to frame a great | | | | Sony Z1/Z5/Z7, Sony XDCAM EX1/EX3, Panasonic |
| scene, and mix it up with wide shots, mids, and | | | | AG-HVX200/201, Panasonic AG-HPX171, Panasonic |
| close-ups, not a succession of long shots panning | | | | AG-HMC151, Canon XL-H1, Canon XH-A1, Canon |
| round the entire room like a gardener hosing his lawn! | | | | XH-G1, JVC GY-HD251, JVC GY-HM700. |
| Wedding videography is about subtlety; it's about | | | | There are many more camcorders on the market but |
| documenting the day, not directing it. The job of the | | | | these are some of the best ranging in price from |
| wedding videographer is similar to that of the wedding | | | | £3000 to £7500. |
| photographer, but vastly different. The photographer | | | | A good videographer will have a professional shotgun |
| has to direct the couple and guests in order to stage | | | | mic mounted on the camera and a radio mic which will |
| those all important album shots. The videographer, on | | | | be hooked onto the Groom's belt during the ceremony; |
| the other hand, needs to blend into the background like | | | | the audio levels have to be top notch - can't have the |
| a ninja! He carefully captures all the magic of your | | | | "I Do's" distorting like a robot! |
| special day in a "fly-on-the-wall" documentary style. A | | | | As far as editing is concerned Final Cut Pro by Apple |
| good videographer is one you don't even notice. | | | | has become the industry favourite; its extremely |
| And then there's the editing. They say the magic is in | | | | powerful software, opening up many editing possibilities. |
| the editing and they're right. Obviously the technique | | | | Sony Vegas, Premiere Pro, and Avid are also good. |
| has to be there in the filming stage, but ultimately it all | | | | Magic Bullet is great for colour grading, although |
| comes down to what goes on in the edit suite; that's | | | | effective colour grading can be done in all of the |
| where the magic is born. | | | | above editing applications. |
| What is editing? | | | | Many videographers offer Blu-ray discs so you can |
| Every video project is different and unique whether its | | | | watch your video back on an HD television in full high |
| television, corporate videos, music videos, or wedding | | | | definition. This is great, but as long as your video is shot |
| videos. At the end of a shoot it's the same scenario - | | | | in high definition, watching it back on a standard DVD is |
| you have a hard drive full of raw footage and you | | | | just fine. This is actually how shooting for TV has |
| need to take that raw footage and turn it into a video. | | | | worked for many years; pictures are shot on HD |
| It's a massive jigsaw puzzle and it takes the right editor | | | | cameras and once the programme is edited it is |
| to craft it into a piece that engages and entertains the | | | | broadcast in standard definition (with the exception of |
| viewer. So when choosing the right videographer for | | | | HD programmes). So while Blu-ray discs are all the |
| your wedding video its not just about choosing a | | | | rage, they're not essential. |